1. Introduction: Ever since the advent of "Ariyar" in Indian history, the word "Aryan" has assumed significance and far-fetching linguistic and racial connotations. Then came the advent of "Dravidians". Caldwell's linguistic invention was given a racial twist by the westerners and Indian scholars, though the concept of race and language are two separate entities. Leaving these hypotheses and theories aside, an attempt is made in this paper to study the word "Ariyar" fund in the ancient Tamil literature, popularly known as Tamil Sangam literature. In the process of understanding the past, there have been persistent and insistent attempts in historiography to import later day ideas, concepts and theories to reflect back on the past events leading to diversified and contradicting situation. But, here the approach has been restricted to get the meaning of the word "Ariyar" as found in the ancient Tamil literature.
2. In the ancient Tamil literature, the word "Ariyar", "Ariyan", "Ariya" etc., found in various places withy their other forms and have been used both as nouns and adjectives. As in recent times, diametrically opposite views have been expressed1 about the inclusion of the Tamil epics Cilappatikaram and Manimekalai within the ambit of Sangam literature, the discussion is restricted to Ettutogai (the eight anthologies), Pattupattu (the Ten poems) and Padinen Kizh Kanakku (the Eighteen Minor works). Now, let us see, what these poems say about "Ariyar".
3. Natrinai: It is the heading the list of Ettuttogai and its general theme is love. The word "Ariyar" appears in the 170th poem, sung by an unknown poet. The companion of the heroin of the poem warts that the hero might be seduced by the beautiful lonely dancing girl. She compares the victory of the Virali (the dancer), who came to a festival clad in a leaf-garment, over her group to the fact that the famous town of Mullur, the "Ariya" soldiers swarmed, but ran away before the lance-battalion of Malayan (a Cheran), who unsheathed a that the people who came from the north to attack Cheras were known as "Ariyar".
4. Kuruntogai: Literally meaning `a collection of short poems', it comes next and its theme is also love. The word "Ariyar" appears in the verse 7, line 3. Here, it is described how "Ariyars" dance on a tied rope according to the beatings of a drum. "The forest full of bamboos were rattled the white ripe seeds of shivering vakai tree (Sirisa tree) tossed by the wind like the drumming of the "Ariyar" dancing on the rope". Therefore, here it is evident that "Ariyar" refers to a group of jugglers or tumblers, who performed acrobatics.
5. Paditruppattu (the Ten tens): It gives more information about `Ariyar' in historical setting. The entire extant collection of poems with the deeds and exploits of the Chera Kings. The first and tenth Tens are not available. In the Second Ten, the Patigam (Preface) describes how Imayavaramban Nedunjeraladhan engraved his royal sign `bow', which figures on his flag, on the top of the Himalayas (lines 4-7). Having roaring oceans has his boundaries (imizh kadal velittamizhagam), he ruled Tamizhagam (the Tamil country) in such a way o excel the other nadus (countries). He made `Ariyar' bow before him, who were having very great name (fame and heritage).
5.1. In the Second Ten, the 11th verse details as how the very famous Himalayas abound with "Ariyas". Hence, scholars give two different meanings for the `Ariyar':
The hillside was resplendent with densely and well grown trees of erthrina indica (mullu murukka), a kind of citrus and the yak sleeping there would dream of waterfalls and sweet smelling grass. The Himalayas with such fertility was filled with many rishis. In between the Himalayas (in the north) and Kumari in the South, there wee Kings who boasted their valour but they were conquered by Nedunjeraladhan. The meaning is thus rendered, "You quelled the valour of those who called themselves monarchs of the land between Camorin in the South and the famous Himalayas, where the Ariyas2 abound and yak sleeps on the hills covered thick with the Oleander and dreams of the broad mountain stream and the narandam (lemon- grass)"
5.2. In fifth Ten, the patigam mentions `vadavar', i,e, the people of north and `Ariya Annal' i.e, head of Ariya Kings. It describes how the kings of the north were afraid of Kadal Prakkottiya Senguttuvan. He marched with his army to bring a good stone for chiseling an image of the goddess of chastity. He came across a head or chief of Ariya Kings, while passing through forests, and defeated him. Then, he brought a stone and washed it in waters of the Ganges. While coming back, he stayed at Irumbil, destroyed Viyaur and Kodungur. He also killed a king named Pazhaiyon.
5.3. In the same fifth Ten, the 43rd verse mentions the defeat of kings who were ruling between the Himalayas in the north and Kumari in the south as boundaries. However, the names of the kings or the countries thus defeated are not given in the poem. In the padigam, the kings are mentioned as the `vadavar' (the Kings of north), the Chiefs of `Ariyar' are called `Ariya Annal', but here they are generally mentioned as `Ariya arasar', i.e, the Kings between the Himalayas and Kumari.
5.4. In Seventh Ten, the 68th poem narrates how the people who were living in the north or northern direction, were leading a fearless and happy life. The _expression used to denote them is `vadapula vazhnar'.
5.5. So from the description of Paditruppattu, we can see that `Ariyar' are
ó `the Kings of the north', ó `Rishis of the Himalayas', ó `the Kings between the boundaries of Himalayas and Kumari' and ó `the people of the north or northern direction of Tamilagam'.
6. Agananuru (or Neduntogai): It also gives more details about `Ariyar'. `Ariyars' capture elephants by the use of trained female elephants. A public woman takes a vow that she would chain her hero with
There had been Pancha Dravidas. They not only include Tamil, Telugu, Kannada, Malayalam and Tulu but also Maharashtra and Gujarat. There were Pancha Gauda's. And this Pancha Gouda includes northern and eastern India.
So are Brahmins in the mentioned linguals and states are Dravida's and not Aryas?
If so even Gauda's are not Aryas.
Moreover, Why did Tamil kings not go beyond Himalayas?
northern parts of srilanka were ruled by a race of kings called ariyan chakravarthis who were initialy generals of the pandyas but asserted independence after malik kafur laid madurai waste. period 1270-1350