"Middle Chola Temples " - Part 2 of - RajaRaja Cholan I
  • After listing all the aliases of Rajaraja I, the author starts
    listing all
    the queens of Rajaraja I.

    Of the many queens of Rajaraja I, the Chief one was Loga Mahadevi
    alias
    Danti Sakti Vitanki. Of the others, Vanavan Mahadevi alias Tribhuvana
    Mahadevi has the distinction of being the mother of Rajendra I. The
    others
    were: Chola Mahadevi, Trailokya Mahadevi, Panchavan
    Mahadevi,Abhimanavalli,
    Lata Mahadevi, Prithvi Mahadevi, Meenavan Mahadevi, Viranarayani and
    Villavan Mahadevi. Many of them have either built temples of their
    own or
    donated bronzes to temples.

    The greatest event of the life of Rajaraja I was the building of the
    Rajarajesvaram at Tanjavur. Some hold that there was an older temple
    in
    that place called that of Tanjait-tirut-talik-kulattur mentioned in
    Appar's
    Devaram, the Tiruttandagam, and that it was this temple that Rajaraja
    I
    rebuilt as the grandest stone temple of all times. It may be
    remembered
    that he was a close associate and the disciple of Sembiyan Mahadevi,
    who,
    as we know, rebuilt the Tirunallam temple of the Devaram hymns fame
    as the
    Gandaradityam and clearly stated the fact of such conversion in her
    dedicatory inscription at Konerirajapuram

    I am not sure if you people have already come across this point of
    view
    before. So, i thought, it may be worth having a discussion about this
    topic
    in our e-group and then we get to know Mr.SRB's view points about his
    thoughts on it.

    Now moving back to the article, the author starts listing some
    references
    about this temple.

    The earliest reference of this temple occurs in the 19th regnal year
    of
    Rajaraja I. The stupik-kudam (copper pot for the finial) was handed
    over to
    the temple authorities on the 275th day of the 25th year of his
    reign, and
    the consecration of the temple should have taken place about that
    time.
    Rajaraja I seems to have died in or after his 29th regnal year;
    before his
    death, he ordered the recording on the srivimana of this temple all
    gifts
    to the temple made by himself, his elder sister, his queens and other
    doners; these inscriptions contain, in particular, the fullest and
    most
    detailed description of the bronzes gifted by the king and other
    donors,
    incorporating such details as height, weight, metal-composition,
    whether
    solid or hollow, whether seated or standing, descriptions of the
    pitha and
    the prabha, number or hands and (other) adjuncts, attendant deities,
    and
    numerous other details baffling the imagination - a record again
    unique in
    history.

    The authors then start describing Rajaraja I and concludes by saying
    "...
    that Nature might stand up and say, 'Here was not only a man, but a
    supreme
    leader of men!' ".

    The greatest qualities of the Chola family and their claims to be
    leaders
    of men are brought in the eulogy of the Court poet in the Larger
    Leyden
    Grant." As long as the moon-crested deity sports His Consort on the
    Kailasa
    Mountain, as long as Hari performs meditative sleep (Yoga-nidra) on
    the
    serpent-couch on the ocean of milk, and as long as the sole light of
    all
    the world dispels the dense darkness of the world, so long may the
    Chola
    family protect from danger the circle of the whole earth". (verse 2)


    With this the author is ready to take us through all the temples that
    where
    built during Rajaraja I, which hopefully we will be able to join in
    the
    next article.

    inscription of
    Rajendra I found at the Pushpavaneswarar temple at Tiruppunturutti
    (ARE I20
    of I931), we learn that a donation of land was made to a 'Savarna'
    named
    Naranan Bhattadittan for the reading of 'Sri-Rajaraja-vijayam'.
    This must have a been a composition in praise of Rajaraja I,
    recounting his
    great victories and was evidently different from the
    Rajarajesvara-natakam,
    which was staged in the temple at Tanjavur (SII,II,p.306). We dont
    know the
    language of this composition, whether it as Tamil or Sanskrit, nor
    have we
    any trace of it now.

    Ok, now its question time in egroup guys.. Article to be continued...

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